search

Sunday, 25 September 2011

Isha Happenings

Isha Publishing Book Release - Dhyanalingam: The Silent Revolution


http://static1.channels.com/thumbnails/assets/ishafoundation-org/feeds/12-2060/25874/episodes/4311305_Isha-Foundation-Action-for-Rural-Rejuvenation--jpg
Global Invitation to Participate in Moment of Meditation November 23, 1999
ISHA FOUNDATION PRESS RELEASE, 15th December 2001
For Immediate Release
U.S. Contact: Linda Wright, Nashville, Tennessee - 615-665-1714
Dhyanalingam: The Silent Revolution
Hardback: 125 pages, ISBN 81-87910-00-3
Retail $16.00
What readers are saying about Dhyanalinga: The Silent Revolution
"This book opened up a whole new spiritual dimension for me. I didn't understand what yoga was really about until now." David Wooten, Nashville, Tennessee
"It is not only a beautifully presented book, but if the reader is willing and open, entrance into a different dimension is a possibility. The first part of the book made me feel like I was in Sathsang. Sathguru's poems are medicines for longing hearts who have made commitments to find the light." Rubka Tamerat, Nashville, Tennessee
Yoga...the term has been trivialized to represent a set of bodily postures and exercises. This book attempts to present a deeper definition of yoga and its metaphysical essence. It culminates in the presentation of the Dhyanalinga, the pinnacle of a yogi's journey. Dhyanalinga is the distilled essence of yogic science...a wonder, both in the physical and metaphysical senses. The physical aspects are exemplified by the sheer architectural and artistic magnificence of the Linga and the temple. In the metaphysical sense, the Dhyanalinga is a Guru, an energy center of tremendous proportions and a space where the transformation from limited to resplendent unbounded can happen in an instant.
On November 23, 1999, Dhyanalinga multi-religious shrine and temple complex opened its heart to the world. Located in the Velliangiri Foothills near Coimbatore, India, this is one of the world's most historic and powerful spiritual shrines to be consecrated in two millenniums. This physical manifestation of Divine Energy was channeled through the Master and Yogi, Sadhguru Jaggi Vasudev. It is an offering to the world. All who come into its sphere receive the spiritual seed of enlightenment.
For information and orders of this book on the creation and purpose of Dhyanalinga, contact Linda Wright, Isha Foundation U.S. contact at 615-665-1714.
For information from India, contact the administrative office at 15, Govindasamy Naidu Layout, Singanallur, Coimbatore - 641005 INDIA. Telephone 319655, Telefax: 319654, and Email: yogacentre@Ishafoundation.org.

Contact


http://static1.channels.com/thumbnails/assets/ishafoundation-org/feeds/12-2060/25874/episodes/4311305_Isha-Foundation-Action-for-Rural-Rejuvenation--jpg

 Contact Isha Dhyanalingam FOundation

Postal Address
Dhyanalinga Temple,
Isha Yoga Center,
Semmedu (P.O),
Coimbatore 641 114, India

Telephone
091-422-2515345/091-422-2515346

Email : info@dhyanalinga.org


The Temple is open to all from 6 am to 8 pm on all days

Thursday, 22 September 2011

Isha Foundation



Isha Foundation

Guided by Sadhguru's vision, Isha Foundation is an outcome of the love and dedication of hundreds of thousands of volunteers around the world.
"Our lives become beautiful not because we are perfect. Our lives become beautiful because we put our heart into what we are doing." - Sadhguru
Never in history has humanity been as comfortable yet as insecure as it is now. Advancements in physical sciences and technologies have resulted in greater prosperity, but a sense of personal fulfillment and joy is tragically absent. The sacred science of yoga is a powerful possibility to experience the inner dimensions of life that give us the energy, passion and insights for a state of boundless joy.
The word Isha means the formless primordial source of creation and Isha Foundation, a non-profit organization founded by Sadhguru Jaggi Vasudev, plays a vital role in the well-being of the individual and the world. Set up as a non-political and non-religious organization, Isha Foundation does not promote any particular ideology, religion, race, but transmits inner sciences of universal appeal.
Isha Foundation functions through over 150 centers worldwide. Empowered by over a quarter of million volunteers, the Foundation is engaged in initiating multitudes into the science of inner well-being. In addition, it has also pioneered several renowned initiatives for world peace, outreach programs for life-term prisoners, destitute children, and embattled women. Also initiated are several projects to serve as models for rural upliftment (Action for Rural rejuvenation), education reform (Isha Educational Initiative), environmental stewardship, and holistic and healthy living of the Indian people.
Driven by a sense of oneness, love, and a deep longing to reach out and share, Isha endeavors are entirely an outcome of the selfless dedication and the spirited efforts of its volunteers. Spread around the world and belonging to different nationalities and regions, this melting pot of cultures serves as a model for a new paradigm of humanity.
Isha Foundation's other websites
Isha Foundation Website: www.ishafoundation.org
Isha Foundation's rural project: www.ruralrejuvenation.org
Isha Foundation's Environmental Initiative: www.projectgreenhands.org
Isha Foundation's Educational Initiative: www.ishavidhya.org
Isha Foundation's founder: www.sadhguru.org

Isha Yoga centre .


Isha Yoga center - India

Isha Yoga Center

"A powerful space consecrated for inner unfoldment, having a deeply dedicated community which is an embodiment of love and commitment to all." - Sadhguru
Known for its diversity of flora and fauna, the Nilgiri biosphere is one of the most scenic places of south India. Amidst the thick tree cover, dancing rivulets, imperious peacocks and trumpeting elephants, at the foothills of the Velliangiri mountains, is the artistic and tranquil Isha Yoga Center, located about 28 kms from Coimbatore. Spread across 150 acres of land, the ashram houses Dhyanalinga temple, Spanda meditation hall, Isha Rejuvenation Center, Isha Home School, Yogic Hospital and also cottages for visitors. The Isha Yoga Center, created under the aegis of Isha Foundation is a popular destination attracting people from all parts of the world and is unique in its offering of all the four major paths of yoga - gnana(knowledge), karma (action), kriya (energy), and bhakthi (devotion).
The architecturally distinctive Spanda Hall and garden, a 64,000 sq.ft pillar less meditation hall and program facility is the venue for residential isha yoga programs and temple celebrations. The dominating feature of this space is the exquisite wall mural painting, depicting the life of the first yogi, Shiva. Measuring 140 x 12 ft, this masterpiece of art is the largest of its kind in the world. The style of painting - a dying art from the temple town of Guruvayur in the state of Kerala, uses only vegetable dyes and earth extracts.
Isha rejuvenation is an initiative designed by Sadhguru to allow an individual to experience inner peace and the joy of a healthy body.
Isha rejuvenation offers a unique and powerful combination of programs, carefully tailored and sequenced to bring vibrancy and proper balance to one's life energies. This balance is crucial for healthy living as well as for preventing and uprooting chronic ailments.
Isha Home School, the vision and long-time dream of Sadhguru Jaggi Vasudev aims at providing quality education in a home-like environment. Ensuring that fun and adventure go hand in hand with learning, it makes education a process of discovery and joy. The school, in some way, resembles the extended large joint families of the past, wherein each person - whilst retaining his or her individuality- is also an active part of an intimate microcosm of people of different age groups, mental make-up and needs.

History of Dhyanalinga .


dhyanalinga poem

History of Dhyanalinga .

The sacred land of India has been witness to the lives of countless sidhas, seers and Enlightened beings. The Dhyanalinga Temple is very much a part of this glorious tradition.
Born Jagadish Vasudev in Mysore, India, in 1957, Sadhguru was a precocious child raised in a traditional home. From an early age he possessed a unique passion and purpose that has defined his life. Preferring the wonder of nature to typical childhood games, ten year old Jaggi would venture out alone on long treks through the surrounding mountains and forests for days at a time. Despite excelling in his studies it was always the profound beauty of life expressed through nature that commanded his attention.
Sadhguru first began studying yoga at the age of thirteen, his first teacher was Shri Raghavendra Rao popularly known as Malladihalli Swami. At that time his yoga practices were a means of attaining peak physical and mental health. "I never thought of yoga as a spiritual possibility, nor did the word 'spiritual' mean anything to me," says Sadhguru. "I had no background like this."
By the age of Twenty, Jaggi Vasudev had completed his college education and built his own successful business in partnership with a close friend. He continued to be a very active and adventurous outdoorsman - hang gliding, racing motorcycles and organizing hiking expeditions into the mountains. One day, as he sat to rest on a rock following a long hike in the Chamundi Hills, he had a spontaneous experience of unbounded awareness which resulted in a dramatic and permanent perceptual shift that altered the course of his life.
Following his enlightenment three lifetimes of memory descended upon him and he recalled his life's purpose and his Guru's dream - the Dhyanalinga. From that moment his only longing was to fulfill his Guru's will; his every action was directed towards the consecration of the Dhyanalinga.
Dhyanalinga has always been the dream of many enlightened beings, but the complexities involved in its creation are such that it rarely materialized. No other Dhyanalinga is known to exist in the world. The closest attempt to consecrate a Linga like this took place almost one thousand years ago in Bhopal. The process, though grand, failed in the final stages. Though it has always existed in the yogic lore there is no reference to a Dhyanalinga in the scriptures.
The consecration of the Dhyanalinga posed a serious challenge to Sadhguru, his approach was based solely upon his intuitive understanding and mastery over the spiritual process. Apart from the consecration of the Dhyanalinga, the construction of its temple or as Sadhguru called it – a suitable ornament for the Dhyanalinga, involved several intricacies. The design that was chosen was very novel and required reworking of concepts from the fundamentals. The size of the structure and the time schedules set, called for great dedication from the thousands of volunteers and the workers involved in the construction.
Thus, against all odds, on the 24th of June 1999, the Dhyanalinga was consecrated, blessing the world by its Presence. And on the 23rd of November 1999, Dhyanalinga was offered to the world.
For Sadhguru it is the fulfillment of his Guru's will.
history of dhyanalinga

Creator


yogi, mystic and spiritual leader - sadhguru jaggi vasudev

Creator

Entrusted to him by his Guru, the consecration of the Dhyanalinga, the dream of many enlightened beings, has been the mission and the consummation of Sadhguru's life.
A yogi and a mystic of unfathomable proportions, Sadhguru is a visionary humanitarian and a prominent Spiritual leader. A contemporary Guru, rooted as strongly in mundane and pragmatic matters as he is in inner experience and wisdom, Sadhguru works tirelessly towards the physical, mental and spiritual well-being of all. His mastery of the mechanism of life, an outcome of his profound experience of the Self, guides in exploring the subtler dimensions of life.
At home in loin cloth as much as he is in blue jeans, barefoot through the mighty Himalayas, or straddling a BMW motorcycle on the expressway, Sadhguru is the most unusual mystic that one can encounter. Marking a clear departure from mere customs and rituals, Sadhguru's scientific methods for self-transformation are both direct and powerful. Belonging to no particular tradition, Sadhguru incorporates and presents what is most valid for the contemporary life from the yogic sciences.
Traversing seamlessly from the ancient to the ultramodern, Sadhguru bridges the gap between the known and the unknown. An author, poet, and internationally renowned speaker, Sadhguru's wit and piercing logic provoke and widen our perception of life.
"This life for me is an endeavor to help people experience and express their ultimate nature" - Sadhguru

Why Dhyanalinga ? .


meditation

Why Dhyanalinga ?

Fundamentally, there are five basic bodies, or there are five sheaths to the body: the physical body, the mental body, the energy body, the "etheric" body, and the bliss body.
If one brings about a certain transformation through the physical body, the mental body or the energy body, this transformation is temporary and can be lost in the course of life. However, once a person is touched on the level of the etheric body the transformation is eternal.
Dhyanalinga transforms a person who comes into its sphere on the level of the etheric body.
Even if a person who doesn't know anything about meditation comes and sits in this space, he will become meditative by his own nature. That is the quality of the Dhyanalinga. That's the kind of tool it is.
When you meditate, there is a distance between you and the body, you and the mind. Once this quality flowers within you, you will be like an emperor within yourself. That would be the end of suffering.
During the consecration of the Dhyanalinga, through an intense process of prana prathista ¹, energies of all the seven chakras ² were raised to the very peak and locked to prevent dissipation over time. It is expected that the energies of the Dhyanalinga will not suffer dissipation for at least 5000 years.
Today, like never before, there is a spiritual longing in people worldwide. If, within a human being, a longing to know, a longing to grow, a longing to go beyond present limitations arises, the energies of the Dhyanalinga will naturally reach out.
Dhyanalinga is an unprecedented possibility for the world, an energy center of tremendous proportions and a space where transformation from limited to resplendent unbounded can happen in an instant.
"As the spiritual longing and thirst arises in human beings, wherever they may be, irrespective of time and space, the energies of Dhyanalinga will become available to them as a spiritual ignition, as a spiritual guidance, and a spiritual force which will lead them on. It is not essential that all of them have to come here and sit in the temple." - Sadhguru

¹ - prana prathista: process of consecration or energizing an object with Divine energies through a direct process involving the consecrator's own life energies.
² - chakras: seven main points or junctions of confluence of the pranic nadis or channels in the energy body

About Isha


powerful place for meditation

The Sacred land of India has been witness to the lives of countless siddhas ¹, seers, saints, sages, and enlightened beings. The Dhyanalinga Yogic Temple, situated in Coimbatore, India, is very much a part of this glorious tradition.
Dhyanalinga is the distilled essence of yogic science. It does not ascribe to any particular belief or faith. It does not require any pooja or worship. Just sitting silently for few minutes within the sphere of Dhyanalinga is enough to make even those unaware of meditation experience a state of deep meditativeness and feel the divine energy that overflows from this glorious form.
Dhyanalinga was consecrated by Sadhguru Jaggi Vasudev, a realized master, mystic and yogi, after three years of intense process of prana prathista. Measuring 13' 9", Dhyanalinga is the largest mercury based live linga in the world. In the metaphysical sense, Dhyanalinga is a guru, an energy center of tremendous proportions. All the aspects of life are enshrined in the form of seven chakras energized to the very peak and locked. A doorway to enlightenment and spiritual liberation, Dhyanalinga offers a sadhaka ² the opportunity to perform sadhana ³ in utmost intimacy with a live guru, - an opportunity which is traditionally available to a select few.
Situated at the foothills of the Velliangiri Mountains, Dhyanalinga is a colossal entity of eternal vibrations. The earth colors, the natural granite, and the fusion of irregular surfaces and shapes that form the Temple creates an ethereal ambience and an apt atmosphere to receive the grace of the Dhyanalinga.

¹ - siddha: one who has attained perfection or mastery over a certain mystical aspect of life
² - sadhaka: a spiritual seeker who has undertaken spiritual disciplines, usually under the guidance os a spiritual teacher
³ sadhana: spiritual practices which are used as a means to realization

The Inner Parikrama


vanashree


The Inner Parikrama 

The Dhyanalinga Temple layout is geometrically a simple fusion of shapes, but experientially a profound space for meditation. The peripheral dimension of the structure is a congregation of modulated spaces subtly preparing the visitor for meditation at every step. The unusual sunken reception engages the viewer with the 17 feet white granite monolith, the Sarva Dharma Sthambha. Symbols of major religions of the world are inscribed on three sides of this Sthamba forming an appropriate sign of welcome for one and all, beyond religious divide.
The back of the Sthamba is inscribed with the schematic of the seven chakras of the human body, in the form of lotuses that represent different levels of consciousness. The chakras are flanked on either side by flowing forms of snakes, representing the Ida and Pingala nadis, the masculine and feminine or the logical and intuitive energy states. The central stem connecting all the chakras at the center is the Sushumna nadi, the principal channel of energy according to the yogic sciences. A rising sun carved in stone crowns the Sthambha, symbolizing a new dawn and the pattern of fallen leaves beneath the sun symbolizes the death of the past. The Sthambha area of the temple is built in the form of a yantra, which is closed on three sides and gives the feeling of an open-arm embrace to the visitor.
The stone gateway or the Thorana is designed according to the principles of traditional Indian Temple Architecture. It safeguards the temple and acts as the main entrance. To reach the open pathway, the parikrama, the seeker crosses the three entrance steps symbolizing the gunas - Tamas, Rajas and Sattva, which are the three basic qualities of the mind. The unusual height of the steps forces the visitor to press the sole of his feet on the pebbled surface of these steps, which in turn activate certain nerve centers in the body - a preparation of the system to make it more receptive to the energies of the Dhyanalinga.
The parikrama, leading to the Dhyanalinga, communicates a sense of both artistry and spirituality. It comprises a central pathway, which is open to the sky, establishing a visual connection between the entrance and the dome, reinforcing the integrity of the relationship of spaces. The central pathway is flanked on either side by covered aisles.
As one enters the parikrama, on the left is the statue of Pathanjali, the celebrated author of Yoga Sutras, regarded as the father of yogic sciences. The eleven-foot tall statue is deliberately placed in a sunken shrine, thus establishing an immediate relationship between the colossal identity of Pathanjali and the dwarfed viewer at the same level. The statue sculpted in black granite depicts a fusion of snake and man, symbolizing the dual nature of life. It also symbolizes the divine nature of man evolving from his earthbound nature. Hence, the sunken shrine depicts the snake below the earth and the man above it. The snake covering the head of the statue with its hood represents the raising of energies through the seven chakras, thus reflecting the objective of yoga.
On the right is the Vanashree shrine, the feminine deity of the Dhyanalinga temple and a counterpoint to the Pathanjali shrine. In contrast to Pathanjali's sunken base, the Vanashree shrine is placed at a higher level than the pathway. The Vanashree, made of green granite, is a sculptural relief of a peepal tree. A gold leaf at the center symbolizes warmth and prosperity. The energies of the deity are such that it is especially beneficial for women and children to meditate in the vicinity of the shrine. The traditional Keerthi Mukha, the glorious face, finds place above the shrine of Vanashree.
Six artistically sculptured granite panels cover the aisles, illustrating the stories of six South Indian sages who attained enlightenment. Each panel captures a moment in these extraordinary lives. On the threshold are six images of meditative postures each carved into a triangular form, which indicate the Siddhi State of six spiritual chakras. The form of a yogi prostrating before the Dhyanalinga suggests the sense of surrender that is required to enter the Dhyanalinga space.
The parikrama ends at a vaulted tunnel that leads to the dome of the Dhyanalinga. Carved on the threshold of the entrance are two snakes with a single raised hood, indicating the non-dual nature of the Dhyanalinga. Over the vault is a seven-hooded monolithic snake, symbolizing the seven dimensions of life reaching the peak of consciousness.
The earth colors, the natural granite, irregular surfaces and the shapes that form the Dhyanalinga temple create a very earthy and ethereal ambience, blending with the surroundings and intensifying all elements of nature; a smooth prelusion to the warmth and womb-like feel of the Dhyanalinga Dome.
symbols of all major religions - hinduism, christianity, muslim, Stone Panels of South Indian Saints pathanjali - father of modern yoga 



Theerthakund



Theerthakund



In India it is tradition that prior to entering any temple, one is required to wet the entire body to help make it more receptive to the energies of the temple.
The Theerthakund, a subterranean tank, with a solidified mercury lingam, immersed in water was built as a preparatory tool to enhance spiritual receptivity in a person before entering the Dhyanalinga. It is situated on the northern side of the temple complex as part of the Outer Parikrama.
Since ancient times mercury has been an important substance in all kinds of spiritual alchemy around the world. The Linga, or Rasalinga, weighing 680 kgs, is ellipsoidal in shape and is 99.8% pure mercury solidified at room temperature.
According to the principles of modern chemistry, this kind of solidification is not possible. But here, the Rasalinga has been solidified through the ancient science of Indian alchemy.
In March 2006, Sadhguru consecrated this Linga, energizing it through a powerful process. This Linga will retain these energies almost eternally.
The Theerthakund though basically used as a preparatory tool to enter Dhyanalinga, is very powerful by itself. It straightens out the energy or the pranic imbalances in a person, which leads to physical and mental well-being. Above all, it creates a tremendous receptivity to imbibe the energies of Dhyanalinga.

 

The Outer Parikrama


dhyanalinga front mandapam


The Outer Parikrama 

Dhyanalinga, the distilled essence of yogic science is a wonder, both in the physical and metaphysical senses. This energy centre of tremendous proportions offers a sacred space where transformation from the limited to the resplendent unbounded can happen in an instant. In an attempt to design a worthy ornament to such a glorious offering to the world, expansion of the Parikrama has been recently initiated.
The intricate pathway leading to the Dhyanalinga shrine communicates a sense of sheer artistic and spiritual magnificence. The Inner Parikrama is specially conceived to systematically prepare the devotees to better receive the energies of the Dhyanalinga and experience deep states of meditativeness.
The Outer Parikrama, which is currently under construction, incorporates several mystical and aesthetic elements:
A Reception Center, located at the southeast end, welcomes visitors where they are given an introduction to the inception, making, and spiritual significance of the shrine.
Behind the dome, the monolithic Trimurthy Panel depicts the three fundamental qualities essential for a human being's inner growth : Rudra, Hara, Sadashiva. Rudra is an intense state of mind. Hara is the quality of childlike meditativeness. Sadashiva is an ever blissful state of being.
The Linga Bhairavi is a highly expressive and exuberant feminine form of a linga. It represents the Divine in its feminine manifestation - refined and raw, powerful and colorful. Located at the southwest corner of the complex, this deity will be an earthy, humane, and mother-like presence, an absolute woman of ultimate proportions - whimsical and compassionate.
At the northern end, the Theerthakund, with its powerfully consecrated Rasalinga (mercury linga), is yet another splendid preparatory tool that reactivates dormant life forces and directs them towards the Divine. This energy-soaked water body embedded 35 ft. in the earth, is framed by gigantic granite stones and vaulted by a colorful traditional mural depicting the Maha Kumbh Mela. A bath in its vibrant waters greatly enhances spiritual receptivity while having an uplifting effect on one's physical and mental well-being.
Nandavanam will be an enchanted garden of traditional and rare flowering plants - a magical landscape of vivid tapestry, a multihued offering to the Dhyanalinga.
A specially conceived Sadhana Hall will stand at the western side of the complex as a unique and powerful space to impart transformative yogic practices under the guidance of trained Isha teachers.
The adjoining Audio-visual Gallery, a state-of-the-art multimedia facility, will provide information about the Dhyanalinga, Sadhguru, Isha Foundation, and its myriad activities.
The aesthetically lush Isha Gallery will offer an exquisite collection of Isha handicrafts, garments and accessories, portraits, books, audiovisual material, and souvenirs, preserving the wealth of our artistic and cultural heritage.
Additional mandapams and shaded pathways will interlink the complex and complete the overall mystic ambience.
The vibrant, sacred space of the Dhyanalinga complex, with its various components, will undoubtedly be a spiritual legacy of inestimable value for generations to come.
We welcome your generous contribution and support in making this happen.
 Trimurthy panel depicting 3 states of human growththeerthakund


Construction of the Temple


elliptical dome construction early stage


Construction of the Temple 

The dome that encloses the Dhyanalinga is a section of an ellipse - like a section of the globe. The technical aspects involved in the making of the dome are very interesting and its construction, an epic by itself.
It was Sadhguru's wish that all the visitors to the temple be allowed directly into the garbhagriha or the sanctum sanctorum. As a result, the garbhagriha had to have a very large free spanning structure. Conventional buildings built of cement, steel and concrete were ruled out, as the life span of such structures is not expected to be beyond a hundred years. Eventually, it was decided to build a dome using only traditional materials like burnt bricks, mud mortar stabilized with lime, sand, alum and some herbal additives. Huge blocks of granite were extensively used, eliminating steel and concrete.
The dome, weighing about 700 tons, measures 33 ft from the ground level and has a diameter of 76 ft at the bottom. Approximately 250,000 bricks were used in making this dome, each of which had to be measured to the millimeter. The first course of brick starts at 13 degrees to the horizontal and the last course ends at an almost vertical angle of 82 degrees to the horizontal. The base of the dome is 20" thick and tapers off to 8" - the thickness of a single brick at the top.
The dome rests on a circular stone masonry wall 6 ft high including a ring of stone lintels 2 feet tall. This entire structure is built upon a foundation that is 10 ft wide and 10 ft deep. The main entrance to the dome is in the form of a stone vault 9 ft 6 inches wide and 8 ft tall. Twenty-eight ventilators are placed on the top of the lintel beams with stone slabs arranged in the shape of the triangle. These triangular stone ventilators at the base of the Dome provide light and ventilation. The central opening is covered by a gold plated Linga-shaped copper dome, which blocks direct light and acts as a ventilator at the top. The copper Linga above the dome vents out hot air from the dome so that the cool air passes in through the vault and ventilators.
Below the lintel beam, twenty-eight energy cubicles called the 'aura cells' are embedded in the inner wall. Each 'aura cell' is approximately 4' x 4' and provides an intimate space for a person to sit and meditate facing the Dhyanalinga.
Since it was the first time ever that such a large structure was being raised without any form-work, ring-beams, steel or concrete, each aspect of the building had to be worked out afresh, researching and experimenting to derive a safe, viable and feasible methodology for each of the aspects. This often amounted to an interesting blend of ancient and locally available material and techniques.
Burnt bricks were placed in the elliptical shaped dome in positions determined precisely by modern mathematics and verified by computer calculations, granite slabs from traditional quarries went through modern gang saws for precise fitting. For the eighteen months it took to complete the temple from the foundation, the usually quiet and serene surroundings had been transformed into, among other things, a brick kiln and a granite quarry. For the eight weeks it took to construct the dome as such, it resembled a large anthill - hundreds of people going up and down, gradually accomplishing a mission much larger in size and importance than themselves.
The entire structure is a vision of Sadhguru Jaggi Vasudev. The entire design was conceived by Sadhguru and executed by Bhramhachari engineers with the help of about 300 local unskilled laborers. Throughout the duration of the construction, a steady stream of dedicated volunteers participated in the construction in large numbers, taking time off from their work and family to participate in the making of this offering.

brick dome construction Architecture designed by Sadhguru



The Dome



The Dome 
At the heart of the temple, in the sannidhi or sanctum sanctorum, the visitor finally stands before the immense and awe-inspiring Dhyanalinga. Vibrating with the power of the primordial, casting its spell on all those who enter its enigmatic presence, the Dhyanalinga towers up to a height of 13 feet, 9 inches. It rises out of the seven-coiled receptacle, the avudaiyar, which has been designed in such a way that every part of the avudaiyar is 3 feet 3 inches in length and the total length of the avudaiyar is 13 feet 9 inches, the same as the height of the Linga.
Surrounding the Linga is the jalaseema, a water body that has a cooling effect on the Linga and gives the impression that the Dhyanalinga is floating on water.
The Dhyanalinga is made up of a single high-density black granite stone and the Avudaiyar is made of white granite whose density is 30% less than that of the Linga. Both the Linga and the avudaiyar are energized with the qualities of the seven chakras; hence the Linga has seven copper rings and the Avudaiyar is in the form of a seven-coiled snake.
The Dhyanalinga is kept constantly wet to enable the meditator to easily receive the energies emanating from it. Water drips onto it from a hemispheric copper dome coated with gold, which is suspended above the Linga. The resonating sound of water dropping over the Linga, the shimmering reflections of the oil lamps on the golden dome, the subdued interiors, and the all-pervasive silence makes the entire structure ethereal. The natural draught of air and the choice of natural materials make the dome a cool and soothing space, which breathes through every pore.
Time loses itself.

 



Amavasya and Pournami Days:


amavasya and pournami


Amavasya and Pournami Days:

There is a natural upsurge of energies in the human body on these days. As a result, in the tradition, Amavasya (New Moon) and Pournami (Full Moon) days are held as special days for the spiritual seeker. Any sadhana performed on these days has a greater impact on the system.
When people see something as a higher possibility, when it touches them deeply, they naturally want to offer something, in that state of offering a person is more receptive to what is available there. Twice a month visitors are accorded the rare privilege and honor of personally making an offering of Ksheera (milk) or Jala (water) upon the Dhyanalinga. Ksheera is offered from 6:30 a.m. to 12:30 p.m. and Jala from 12:30 p.m. to 8:00 p.m.
As the Amavasya vibrations are especially conducive for men, the temple is open for them to meditate up to 1:00 a.m. on Amavasya nights, and similarly, as the Pournami vibrations are particularly conducive for women, the temple remains open up to 1:00 a.m. for them on Pournami nights.


AUMkar Meditation


AUM meditation 


AUMkar Meditation

Visitors coming to the Dhyanalinga Temple can further their experience by attending this daily introduction to the timeless and powerful mantra "Aum". This meditation is known to have transcendental qualities. It can bring peace and balance to the meditator's system, and is known to relieve people from numerous physical and mental ailments when practiced regularly.
The event takes place from 12:30 pm to 1:15 pm, and is open to all.

Nadha Aaradhana


nadha aradhana

Nadha Aaradhana


An offering of sound to the Dhyanalinga, an etheric blend of vocals, singing bowls, drums and various other instruments amplified within the reverberating Dome, transporting one into the timeless space of the Dhyanalinga.
The offering takes place twice during the day from 11:50 a.m. to 12:10 p.m. and from 5:50 p.m. to 6:10 p.m. These times are recognized as special sandhya kala for meditators. A sandhya kala is a phase when nature undergoes certain transitions and makes a person more receptive to something else.

Mahashivarathri - The Night of Awakening

Mahashivarathri The Night Of Awakening



http://www.dhyanalinga.org/images/dhyanalinga_ver_MS1.jpg 


The day before the Amavasya of each month is called shivarathri. The shivarathri that falls in February-March each year is considered to be more auspicious and is celebrated as Mahashivarathri. Traditionally, one is advised to stay awake throughout the night of Mahashivarathri.
Scientifically, the planetary positions are such on the night of Mahashivarathri, that in the Northern Hemisphere of the planet, it is very beneficial to keep one's spine erect throughout the night. Any spiritual sadhana performed on this night has a deeper impact on the system. Hence, people on the spiritual path make use of this extra assistance from nature to intensify their sadhana. Besides, in yoga, Shiva is considered as the first Guru from whom the knowledge originated. Hence, the sadhana is performed as an offering or worship to the Guru.
At Isha Yoga Center, Sadhguru takes this opportunity to conduct a nightlong Satsangh of explosive meditations interspersed with lively and colorful cultural events held in his Presence. Classical music concerts by renowned artists like Hariprasad Chaurasia, Pandit Jasraj, Usha Utup, Sivamani, Dr.Bala Murali Krishna, Unni Krishnan, Sudha Raghunathan, Bombay Jaishree, Pandit Shivakumar Sharma are a predominant feature of this festival. Attended by several hundred thousands of people from far and wide, this unique festival is an opportunity to bask in the Grace of the Dhyanalinga.
Celebrations begin with Guru Pooja at 6:00 pm in the Dhyanalinga temple on that day and conclude at 6:00 am the following morning. Annadanam is provided to all the visitors on that night and the state transport corporation runs special buses throughout the night to and from Coimbatore City for the benefit of the visitors.

Dhyanalinga Isha Yoga Centre

Set amidst the dense forests at the foothills of the Velliangiri Mountains, is the Dhyanalinga Yogic Temple, the first of its kind to be completed in over 2000 years. Created by a profound mystic and yogi, it embodies the distilled essence of yogic science.
This powerful meditative space does not ascribe to any particular faith or belief system nor does it require any ritual, prayer, or worship.
"Just sitting silently for a few minutes within the sphere of Dhyanalinga is enough to make even those unaware of meditation experience a state of deep meditativeness" - Sadhguru

Loaded with knowledge like this and lots more in great detail about Sadhguru, Dhyanalinga and Isha Yoga Centre, I just had to visit it and have an experience of it all.............

Below is a kind of a poem by Sadhguru which I love-

DHYANALINGA

You are my Guru's will
My only obsession
In my dreams and my wakefulness
My only longing was to fulfill you

Willing to do anything
That men should and should not
Willing to offer myself and
Another hundred lives if need be

Here now that you have happened
O Glorious One
May your Glory and Grace
Stir the sleeping hordes
Into wakefulness and light

Now that you have happened
And the gift of life still with me
What shall I do with myself

Have lived the peaks for too long
Time to graze the valleys of life

This dhyanalinga had become a similar kind of obsession for me. I just had to be there. Also this was my first experience of being in a plane as this was very far away in Coimbatore, we booked the tickets for flight and managed to get it at the fare of AC coach in train! From the plane, the land below that is visible is just like what you can see on Google Earth or Wikimapia. In no time the plane reaches to such heights! It is a bit frightening too ..being so high up..If anything goes wrong, nothing would be found of you. Of course they have all the safety measures and all but still. I remember thinking in the plane that if something goes wrong and I die here, I know where I will be heading. Body or not, I was going to the Dhyanalinga anyhow! Fortunately it was in a body.
( It is around 40 kms from the airport and taxi charges Rs. 650 /-)

Just recently I had seen a video of Sadhguru saying people didn't realize in what wonderful space they were and that if they closed their eyes and just walked away maintaining awareness for one or two kilometers away from there ( which I assume he was talking of the Isha Yoga Centre in Coimbatore) they would feel the changes even in their physical body. After a long time in a taxi, as we were nearing it, And were just a few kilometers away, I tried to see if I felt something... 2 kms..nothing..just 1 km..nothing still.....just excitement. And all this was gone as soon as we reached there because although I had done the booking 40 days in advance, they were not able to find our name. A mistake that I didn't call them to confirm just before leaving. And what made matters worse was that on that day it was the celebration of Dussehra and over 3000 people from all over Tamil Nadu had come. At the reception they said that it was really busy time and all rooms were booked. But some way had to be found and luckily ( really or not we don't know) they said that some one had just vacated a cottage so it was available but it was not the standard one but an Executive one and it would cost 1150 for 3 people. They charge 150 extra per person other than 2 people.

It is always a given that when you are doing something really good or at a very good place etc, something always has to go wrong. Like even it happened during the making of the Dhyanalinga itself that Sadhguru's wife who was a part of the process, left her body.

We entered the complex and it is wonderful indeed. Such open spaces and greenery and mountains looming in the background and even the buildings were beautiful..all earthy colours and it was artistic to the core and to the last detail. It was breathtaking indeed. We went to our room and it was very neat and clean. And it wasn't an AC room, though being quite cool outside and raining ( just as I had seen in my dream- rain while being at Dhyanalinga temple- Isha Yoga Centre!) , AC wasn't really needed either. The Dussehra celebrations were going on in the Spanda Hall but we did not go as we did not know about it. We headed straight to the place that mattered the most and it was the Dhyanalinga temple.

Although everything is in the complex itself, walking is a bit too much specially because you have to take care of lots of things like your Visitor cards which you need to keep with yourself always otherwise they do not let you go anywhere. And also you have to deposit your mobile phones and bags etc and footwear has to be removed before entering. So all this makes it a lot of walking. Even to enter the Dhyanalinga, there are 2 paths ..one which is straight and really short but they don't allow you to take that. It is for exit. So you have to go all the way around.

One thing you will definitely notice is that whereever you cast your glance, you are sure to find a snake like thing somewhere. Sadhguru loves snakes..was a snakecatcher himself and also according to him snakes are at a very high level in evolution, even around the neck of lord Shiva there is a snake and it also represents the Kundalini so they occupy an important place in the complex- EVERYWHERE!

We reached there at 5 pm and went to the restaurant just next to the Dhyanalinga temple for tea and snacks..because tea is not served in the Ashram. You have to go to the restaurant for it.

As soon as you enter the Dhyanalinga temple entrance, there is a person there..don't know his name (but after 2 days everyone started recognizing us and so did we) but he is always there. He asks you if you have come there for the first time and if yes, then he will brief you. Also one thing is that if you don't know Tamil, you are in trouble because very few people can speak Hindi or English there. So it was really a lesson in communication. You really have to use all your communication skills, using gestures or words or whatever possible to make the other person understand you and equally important- you understanding him. He knows English though. All the Volunteers and people there are wonderful, obviously being in such a space but they are all beautiful and peaceful people apt for the ambience.

You will also notice the unusually large steps there which would be a trouble for older people but there is a specific purpose behind it as it is with all the things there..even the smallest of thing there is the way it is because there is a purpose behind it. The unusual height of the steps forces the visitor to press the sole of his feet on the pebbled surface of these steps, which in turn activate certain nerve centers in the body - a preparation of the system to make it more receptive to the energies of the Dhyanalinga.

And as you go further, you will come across the monolithic Trimurthy Panel depicting the three fundamental states of human growth known as tamas, rajas, and satva, symbolized by three glorious aspects of Shiva: Hara, Rudra, and Sadashiva. It is basically 3 faces with some difference in all of Shiva and I will tell you that starting at that place or even a bit earlier, you can start to feel something. I have felt that tremendous peace- almost so solid that you can touch it. I have felt it at an Ashram in the place where I stay in petlad, have also felt it in few other places and here it was very much there. You know you are close to the Dhyanalinga. You just have to stand in front of those faces and just observe and mull over them. On the first day we didn't observe too much but over the 2 days, each time we looked at it, we could see something new..something that we hadn't observed previously. The faces are indeed beautifully carved.


Then you go ahead and reach the Theerthakund, with its powerfully consecrated Rasalinga (mercury linga), is yet another splendid preparatory tool that reactivates dormant life forces and directs them towards the Divine. This energy-soaked water body embedded 35 ft. in the earth, is framed by gigantic granite stones and vaulted by a colorful traditional mural depicting the Maha Kumbh Mela. A bath in its vibrant waters greatly enhances spiritual receptivity while having an uplifting effect on one's physical and mental well-being. Although we didnot take a bath that first time and went directly to the temple. Further ahead you come across a place where you can buy lotuses or lamps for offering. The thing is that you need to go to the temple as an offering because at that time you are most open and so able to receive whatever there is.


Then you go ahead and come across the Sarva Dharma Sthambha. Symbols of major religions of the world are inscribed on three sides of this Sthamba forming an appropriate sign of welcome for one and all, beyond religious divide.


As one enters the parikrama, on the left is the statue of Pathanjali, the celebrated author of Yoga Sutras, regarded as the father of yogic sciences. The eleven-foot tall statue is deliberately placed in a sunken shrine, thus establishing an immediate relationship between the colossal identity of Pathanjali and the dwarfed viewer at the same level. The statue sculpted in black granite depicts a fusion of snake and man, symbolizing the dual nature of life. It also symbolizes the divine nature of man evolving from his earthbound nature. Hence, the sunken shrine depicts the snake below the earth and the man above it. The snake covering the head of the statue with its hood represents the raising of energies through the seven chakras, thus reflecting the objective of yoga.


On the right is the Vanashree shrine, the feminine deity of the Dhyanalinga temple and a counterpoint to the Pathanjali shrine. In contrast to Pathanjali's sunken base, the Vanashree shrine is placed at a higher level than the pathway. The Vanashree, made of green granite, is a sculptural relief of a peepal tree. A gold leaf at the center symbolizes warmth and prosperity. The energies of the deity are such that it is especially beneficial for women and children to meditate in the vicinity of the shrine.

Six artistically sculptured granite panels cover the aisles, illustrating the stories of six South Indian sages who attained enlightenment. Each panel captures a moment in these extraordinary lives. On the threshold are six images of meditative postures each carved into a triangular form, which indicate the Siddhi State of six spiritual chakras.

The form of a yogi prostrating before the Dhyanalinga suggests the sense of surrender that is required to enter the Dhyanalinga space.


The parikrama ends at a vaulted tunnel that leads to the dome of the Dhyanalinga. Carved on the threshold of the entrance are two snakes with a single raised hood, indicating the non-dual nature of the Dhyanalinga. Over the vault is a seven-hooded monolithic snake, symbolizing the seven dimensions of life reaching the peak of consciousness.The earth colors, the natural granite, irregular surfaces and the shapes that form the Dhyanalinga temple create a very earthy and ethereal ambience, blending with the surroundings and intensifying all elements of nature; a smooth prelusion to the warmth and womb-like feel of the Dhyanalinga Dome.

...........Continued

In his book Mystic's Musings, Sadhguru had said that these two shrines of Patanjali and Vanashree are located at specific angles in such a way that just walking on the path leading to the Dhyanalinga, you drop whatever negative influences you may have. And you can see the Dhyanalinga through the tunnel there and I felt that I should not talk ( not that it's allowed. You are not allowed to talk anywhere- near Dhyanalinga, or while having food or even in Teerthkunda) or even walk because I did not want to disturb the tremendous silence there even with my moving..So I was very carefully lifting my legs and placing them gently to cause minimum vibration or disturbance of any kind.

There you move around and look at the 6 granite panels which has a story in each of them. And finally you reach the magestic place of the Dhyanalinga..


Upto this point, it was fine with words but now after this, it wouldn't be fair to put it in words being in front of the Dhyanalinga because it is an experience and can only be understood by experience. Still I know that most of you want to know the most about this part..about how it feels in there. So for you I will write further too.

The energies of the Dhyanalinga have been consecrated to last for more than 5000 years without any dissipation.The elliptical dome that houses the Dhyanalinga is an engineering marvel of 76 feet in diameter and 33 feet high. It was built without the use of any steel, cement, or concrete but with brick and mud mortar stabilized with lime, sand, alum and herbal additives. It's the only structure of its kind. The simple technology used is this -- all the bricks are trying to fall down at the same time! But, the way the bricks are aligned and balanced, they can never fall. The nature of this design ensures a lifespan of at least 5000 years for the dome. It was Sadhguru's wish that all the visitors to the temple be allowed directly into the garbhagriha or the sanctum sanctorum. As a result, the garbhagriha had to have a very large free spanning structure. Conventional buildings built of cement, steel and concrete were ruled out, as the life span of such structures is not expected to be beyond a hundred years. Eventually, it was decided to build a dome using only traditional materials like burnt bricks, mud mortar stabilized with lime, sand, alum and some herbal additives. Huge blocks of granite were extensively used, eliminating steel and concrete. Twenty-eight energy cubicles called the 'aura cells' are embedded in the inner wall. Each 'aura cell' is approximately 4' x 4' and provides an intimate space for a person to sit and meditate facing the Dhyanalinga.
Since it was the first time ever that such a large structure was being raised without any form-work, ring-beams, steel or concrete, each aspect of the building had to be worked out afresh, researching and experimenting to derive a safe, viable and feasible methodology for each of the aspects. This often amounted to an interesting blend of ancient and locally available material and techniques. The entire structure is a vision of Sadhguru Jaggi Vasudev. The entire design was conceived by Sadhguru and executed by Bhramhachari engineers with the help of about 300 local unskilled laborers. Throughout the duration of the construction, a steady stream of dedicated volunteers participated in the construction in large numbers, taking time off from their work and family to participate in the making of this offering and it took 8 weeks to construct the dome!
Now, I had been reading and thinking so much about the Dhyanalinga..Sadhguru had said that if you are very sensitive and if you sit there, it will just shake you from the root of your spine. And I had started thinking of all the effects it might have upon me and thus I feel that because of this it diminished my ability to actually experience what was there as it is. My expectations etc were superimposed upon the actual experience and yes, it was peaceful, silent and powerful but it didn't shake me or any of that though it did seem to happen to some people. A few were shaking almost violently, others were almost vibrating but it did seem that perhaps a couple of them were doing that delibrately maybe because they thought it might help them experience it better or something!

After that we headed straight for dinner. Lunch and dinner are in 2 batches and the timings for lunch are 10 and 10:45 and for dinner it is 7 and 7:45. Now do make sure that you reach at least 5 minutes before otherwise the doors will be closed and you will have to go to the restaurant. On our first day though, we were quite tired and hungry after a long journey and the whole experience and went for dinner which was outside the Spanda Hall as it was a special dinner for Dussehra celebration and it was quite good! And then we retired for the night.

We had the plan to experience the whole thing like the dip in Teerthkund, the special Nadh Aradhana and the Rejuvenation Centre on our second day and so we started

.............. Continued

In the morning we woke up early and decided to have tea and eat something. But the Restaurant opens at 8 am only. Thus we decided to move ahead. We went to the Teerthkunda this time. It opens at 7:30 in the morning and is in half hour batches like 7:30, 8:30, 9:30 etc for men and 8,9,10 etc for women. So we went in the first batch itself. First we take a shower and even soap is provided and you change into the robe provided, then you go to the Teerthkunda which is quite deep and talking is not allowed. Since it was quite early morning and climate was cool, the water there was extremely cold- icy cold. I entered the water and I thought I wouldn't be able to go much ahead because the water is around 5 feet so it would be around chest high for me and it felt as though my heart might stop beating...so cold was the water! But somehow we went ahead and upto the linga there and stood near it. I was really shivering but still we stayed for around 10 minutes I guess and I managed 2 complete dips! The water there can help in curing skin diseases and for the general physical and mental wellbeing and it opens up all the nadis in the body to make us more receptive. After coming out, I felt the same as I used to feel after a few hours of swimming! And I had only been there for around 10 minutes not really doing anything.Then we went and sat in the Dhyanalinga and it felt better than it had felt the day before. Perhaps the dip in Teerthkunda had helped.

The immense and awe-inspiring Dhyanalinga is at the heart of the temple, in the sannidhi or sanctum sanctorum vibrating with the power of the primordial, casting its spell on all those who enter its enigmatic presence, the Dhyanalinga towers up to a height of 13 feet, 9 inches. It rises out of the seven-coiled receptacle, the avudaiyar. Surrounding the Linga is the jalaseema, a water body that has a cooling effect on the Linga and gives the impression that the Dhyanalinga is floating on water. The Dhyanalinga is made up of a single high-density black granite stone and the Avudaiyar is made of white granite whose density is 30% less than that of the Linga. Both the Linga and the avudaiyar are energized with the qualities of the seven chakras; hence the Linga has seven copper rings and the Avudaiyar is in the form of a seven-coiled snake.The Dhyanalinga is kept constantly wet to enable the meditator to easily receive the energies emanating from it. Water drips onto it from a hemispheric copper dome coated with gold, which is suspended above the Linga. The resonating sound of water dropping over the Linga, the shimmering reflections of the oil lamps on the golden dome, the subdued interiors, and the all-pervasive silence makes the entire structure ethereal.


After that we went to the restaurant and had tea and breakfast and by the way, the tea there is wonderful. Then we went to our room and rested. We reached the Spanda Hall a bit late and so the doors were closed there so we could not have lunch, then we again went to the Dhyanalinga, this time for the Nadh Aradhana- An offering of sound to the Dhyanalinga, an etheric blend of vocals, singing bowls, drums and various other instruments amplified within the reverberating Dome, transporting one into the timeless space of the Dhyanalinga.
The offering takes place twice during the day from 11:50 a.m. to 12:10 p.m. and from 5:50 p.m. to 6:10 p.m. These times are recognized as special sandhya kala for meditators. A sandhya kala is a phase when nature undergoes certain transitions and makes a person more receptive to something else.

After that we went for the AUMkar Meditation. This meditation is known to have transcendental qualities. It can bring peace and balance to the meditator's system, and is known to relieve people from numerous physical and mental ailments when practiced regularly.
The event takes place from 12:30 pm to 1:15 pm, and is open to all. But the only problem was that it was in Tamil! But still we did manage to understand the essence of it.

And finally after that we had our lunch, then we also went to the Rejuvenation Centre where you can have different massages etc done and can also buy some medicines for different problems. We took a small balm for headaches and cold cough etc. it was 15 gms for 25 Rs. Then we went to our room and just had a much deserved afternoon nap.

In the evening we again went to the Dhyanalinga for the Nadh Aradhana and this was the best experience for all of us in the 2 days. Everyone was very meditative and the atmosphere at that time was unbelievable. Then we just moved around the vast complex, ate a little, sat at various places and just relaxed, taking in the surroundings. And finally went for dinner and it was a good experience. It is inside a hall and you are given various kinds of concoctions and glasses of some special drinks to prevent diseases and the food was wonderful. The people there serve you and everyone waits till all are served and then a prayer is done by all. Most of the people knew it..I didn't. Even the foreigners knew it.
Now later on when I look back at it, I realize how much I loved the meal time there. The food had wonderful taste and the whole way of having food there. Everyone sitting together, food is served and had in total silence. I enquired one person serving some drinks about what it was but because of silence, she did not answer. And so between the pink drink and the brown drink, I took the pink one but it was nice and sweet. There are lots of food items and you should take only as much as you want. Everyone waits for all to be served and together say the prayer and everyone has the food silently. The whole atmosphere becomes sacred and having food this way has so much benefits. And I compare it with the food that is generally had now, at homes or anywhere etc and I miss having food there. And after eating, everyone washes their plates and glasses etc and puts it back and that is again served next time. I was touched by all this. Really was. This is not like a hotel and it is not about you getting the best service. You become a part of it all and it gives satisfaction. All this food is because of donations. There is a sign there that says that on any special occassion like you birthday or anniversary, donate for the food. Also they say that on an average, 1000 people have food there in a day and it costs 30,000 for that much. And even the food there is a balanced diet and nutrituous. And whatever you do there- pay for staying or buy something, it is all a kind of donation only because it helps Isha Yoga in all the work that it does on a large scale. Like some of them are-

Action for Rural Rejuvenation ( http://www.ruralrejuvenation.org/), a rural revitalization program offering medical care, community rehabilitation, and human upliftment to more than 2,500 destitute villages in rural southern India.
Project Green Hands ( http://www.projectgreenhands.org/), a massive public reforestation effort aiming to plant 114 million trees, restoring 33% green cover in Tamil Nadu, India.
Isha Vidhya ( http://www.ishavidhya.org/), a pioneering English medium, computer-based education initiative to be established in 206 new village schools in rural southern India by 2014.

That was the end of the second day and we went to sleep early. The next day would be our last there so I had decided that in the morning, I will go there when the Dhyanalinga opens. Because, many times of the day, and especially during the night, there's nobody moving around in the temple; it is still. In the stillness, the energy of the Dhyanalinga becomes overwhelming. So that is what I wanted to experience. The whole energy of the Dhyanalinga because it has just been opened and there must have been hardly any movement or anything there. And I reached there before 6 am when it opens and I was the first person there! Of course one person of Isha Yoga was there though and I sat there. It was again a good feeling but I didnot feel anything specific. Some people, including foreigners were doing Surya namaskar near the entrance and even inside the Dhyanalinga space,among the first people, there were a few foreigners and it was good to see that they were sitting in meditation for so long! Then I went back, had tea, snacks and again had lunch, and went for the last time there in Nadh Aradhana. There is a special feeling because you know you are there for the last time. And I allowed myself to experience it completely. Holding nothing back. And that was it. We left from there in the afternoon. But it was difficult and perhaps even painful going away from it. All my life, at least for the past many years, I have never been able to cry...even if I wanted to..but sitting there in the Dhyanalinga and also while leaving, I was able to cry or at least my eyes were moist. And I am glad because it means I have become more fluid ..which is a good thing indeed.

Wednesday, 21 September 2011

Dhyanalingam- Isha Foundation/Sivalinga

Dhyanalingam- Isha Foundation/Sivalinga

Dhyana in the Sanskrit language, means meditation and linga means form.

Dhyanalinga is a powerful and unique energy form created from the distilled
essence of yogic sciences
and the first of its kind to be completed in over 2,000 years. The Dhyanalinga
Yogic Temple offers a meditative space that does not ascribe to any particular
faith or belief system nor requires any ritual,
prayer, or worship. It offers a rare and potent opportunity beyond religious
divide for mankind to
grow together into a state of peace, prosperity and well being.

Within its space, the vibrational energies allow one to experience a deep
state of peace and silence,
revealing the essential nature of life.

The Sarva Dharma Sthamba, located at the front entrance, functions as an icon
of singularity, with the sculptural reliefs and symbols of Hinduism, Islam, Christianity,
Jainism, Taoism, Zoroastrianism, Judaism, Buddhism, and Shinto inscribed as a universal
welcome.

The Dhyanalinga offers a unique set of activities throughout the year aimed at creating
and promoting universal values and religious harmony. Daily activities include non-lyrical
chants, offered by a talented
group of singers, originating from various countries and cultures. These chants allow one
to become
more receptive to the meditative quality of the space.

The focal point of Isha Yoga Center, the Dhyanalinga Yogic Temple is rapidly gaining in
its global
reputation as being one of the most sought out places for meditation

For more information visit-www.ishafoundation.org